Octopus premières percussion duo “Birthmark/ Beauty Mark”, works by Heather Segger, Allison Cameron July 20th

Octopus is the improvising percussion duo of Germaine Liu and Mark Zurawinski.  Owing partially to their like-mindedness as players, and the fact that they’re actually a married couple, they have created a very unique ensemble synergy.

Recently, as part of a residency at the humble west-end free improv venue Somewhere There, they’ve taken it upon themselves to source new pieces from people in the improvisational and contemporary chamber music communities for them to perform.

This coming Wednesday (July 13th) they’ve got pieces by Rob Piilonen and, very appropriately, fellow texturally-minded percussionist Tomasz Krakowiak.   The following week on July 20th, they’ve got pieces by myself, Heather Segger and Allison Cameron.   Then, in their final show of the series on the 27th, they’ve got works by Joe Sorbara and Holger Schoorl.   After the pieces are performed, there are improvised sets in which Octopus and the composers of the works play together.

My piece Birthmark/ Beauty Mark, as with a lot of my other recent chamber-type, concerns itself a great deal with melodic gestures, but also static plates of sound whose sonorous properties evolve and transform gradually.

This work sees Liu and Zurawinski using a strange instrumentaal combination of vibraphone, child’s glockenspiel, kazoos, metal and ceramic mixing bowls, tuning forks, cymbals and sympathetically-resonating snare-drums (to produce an itchy buzzing sound through various sections of the piece).  Sometimes they’re eaching playing several of these instruments at once!  I’m really grateful to be able to compose for them as they’re an extremely talented pair, frankly a bit under-recognized in the Toronto scene, given their skill and singular sounds as percussionists.

Here’s a video shot by the wonderful Ayal Senior of the duo in action.

Octopus
performs works by Nick Storring, Allison Cameron, and Heather Segger
(with a group improvisation after)

SOMEWHERE THERE
227 Sterling Road Unit 112 (just south of Bloor on Ruttan St.)
July 20th, 2012, 8PM
$10

Be sure and check out their shows on the 13th and 27th as well!!

Advertisements

About Nick Storring

Nick Storring is a Toronto based composer, cellist and electronic musician with a wide palette of interests. Awarded the Canadian Music Centre's 2011 Emerging Composer Award, his broken-violin-based electronic piece Artifacts (I) also won first place in the 2008 Jeux de Temps/ Times Play competition for emerging Canadian electroacoustic composers. His chamber music has been performed by the Quatuor Bozzini, Arraymusic, the Madawaska String Quartet, the Esprit Orchestra, and Thin Edge New Music Collective. He also regularly creates incidental music for theatre, film and intermedia projects, including for the MT Space's Last 15 Seconds which toured through Canada and the Middle East, ambient gaming installation "Tentacles" which was presented at MoMA in 2011, and Ingrid Veninger's feature film "The Animal Project" an official selection at the 2013 Toronto International Film Festival. Apart from making regular solo appearances, he also plays in Picastro (Polyvinyl Records), I Have Eaten The City and improvising cello duo The Knot with Tilman Lewis. He has collaborated live and in the studio with Nadja, Sandro Perri, Daniel Johnston, Araz Salek, Laura Barrett, Rhys Chatham, Wyrd Visions, Andrew Timar, Castlemusic, Eddie Prevost, Diane Labrosse, and Damo Suzuki (of Can).
This entry was posted in Chamber music, Events and tagged , , , , , , , , , , , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s